Ceca Yaneva’s attitude to life is brightly and passionately revealed in her works. The plastic
expression and the pictorial form works in her painting represent the common positions of the Polish
school – the drama plot and dynamism of the composition.
Mysteriousness and secretiveness, aggression and frankness interact and make the monologue
polyphonic.
The artwork of  Ceca Yaneva is rich and varied. The pictorial expression is magnificent. Harmonious
pictorial ranges of colours merge in her works with a decorative nuance. She does not feel from the
linear forming, but fill it up with volumetric paints. She is searching for the effect of the detail in the
composition sequence, for the expressiveness of the gestures, the tenseness of the instant or the
calmness of the standstill time.
There are few authors, who persist  creating figured compositions and composing the figured in the
space in an untraditional way, can reach such a great suggestion of the plot expression. These plots,
however are parabolical (allegorical).
They lead the audience to the self-knowledge, the absorption and the solitude.
The dance changes into a struggle of attitudes. The remarks of the world masters are a vision to the
Ego as a part of the Globe human existence on the large planet, a circumrotation of “In and Iang” in
the swift time flight.
“I love the cyclic recurrence, through that I elaborate a subject. Wheather these are fashion
reminiscences, interiors and still lives or the present cycle “ Allegories of the continents” –
everywhere is the human presence and the human absence is significant”.
“An escape from the reality of live to the reality of painting – is there anything more magnificent?”